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2024 03 dabar

BELLY-UP DREAM (DOG OR FISH?)

calendar
2024 03 dabar

Today, the pursuit of happiness has turned into an industry of esoteric practices and pharmaceutical experiments, and rituals of happiness manifestation are performed at corporate events about a healthy soul. Everything seems ephemeral, like a dream from which it is difficult to get out. If understanding the states of modern existence is so difficult, what hope is there to change it? The possibility of change dissolves into a void of broken fragments and a forced sense of happiness, which ultimately only adds to a deep sense of melancholy.

So, in the presence of happiness, we always think about sadness: we deny it in every way, we look for ways to avoid it. What if the happiness industry is actually a direct reflection of the sadness bussiness?

In response to the question, the Kaunas Artists' House presents "Belly-up Dream (Dog or Fish?)" - a program of exhibitions, education and performative events exploring the multifaceted nature of sadness. Through the synthesis of discursive dialogues and educational initiatives created by contemporary artists Zoe Williams, Liliana Zeic, artist duo Liudmila, Žygimantas Kudirka, Ieva Rižė and Kristoffer Ala Ketola, and performance artists Sasha Wilde, Johhan Rosenberg, Paulius Janušonis, we will try to reveal compilations of melancholy.

The program created by the curators Agnes Bagdžiūnaitė, Edvinas Grinkevičius and Asta Volungė will reveal different aspects of researching the industry of sadness. Dissemination of the interaction of the body, sound, aesthetic sensations will allow you to dive into the depths of sadness, face its essence and reflect on its meaning in a constantly changing dreamscape.

Project Belly-up Dream (Dog or Fish?) is funded by Lithuanian Council for Culture

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Writer, artist, and performer working in the fields of interactive fiction, speculative science fiction, artificial languages, and avant-garde rap. His creations often take unexpected forms: from alternative reality audio guides to radio plays created for car salons, from hacking into public media to interactive solutions where the reader or listener must complete the work themselves. Ž. Kudirka has released a book of interactive poetry, eight music albums, and performed hundreds of shows in Lithuania and worldwide, creating works and performances in the field of contemporary art (Baltic Triennial, Venice Biennale). He has received numerous awards in various fields: music ("Alternative Artist of the Year"), advertising ("Cannes Young Lions Silver"), visual arts ("Music Video of the Year"), and literature ("Best Slam Poet in Europe"), and has recently been nominated as one of the best playwrights in the country. He has performed hundreds of shows in his native language in Lithuania, but often reaches foreign audiences as well. Performances in English and artificial languages have been held in Latvia, Estonia, Finland, Iceland, Belgium, Germany, the Netherlands, Ireland, the United Kingdom, France, Sweden, Denmark, Norway, Israel, and Hong Kong.

Daina Pupkevičiūtė creates sound, video, and performance art; she writes and explores the relationships between humans and non-humans across time, space, and in the context of the climate crisis. She is concerned with resilience, sustainability, and responsibility, as well as body politics, boundaries, and borders. Art, for her, is one of the forms of relating to others. Daina's creative practice is interdisciplinary, partly based on qualitative research approaches. While currently focusing more on personal practice and scholarly activities, she values exchanges occurring in the contexts of co-education and collaboration - organization, curation, etc. She is currently working on a video performance series called "Injured Landscapes" and conducting research on video work about the toxicity of war and ecocide.

Since 2012, she has resided in artist residencies in Estonia, Germany, the United Kingdom, Portugal, Poland, Iceland, and Lithuania; she has performed in Lithuania, Finland, Estonia, Latvia, Sweden, Switzerland, Iceland, Italy, Germany, Poland, the United Kingdom, Turkey, and Bulgaria. Daina has released 7 solo albums, 4 albums as part of duets and groups; her compositions have found a place in various Lithuanian and international compilations. Highly valuing collaboration, she creates sound for performance, film, theater, and contemporary dance. From 2011 to 2018, Daina was one of the founders and curators of the international performance art festival CREATurE Live Art; from 2018 to 2022, she was the organizer and curator of the industrial culture platform MATTERS (part of Kaunas2022 program). Daina is a doctoral student at the University of Tartu. Her research subject is the climate crisis as a fundamental rupture in the relationships between humans and non-humans.

Certainly, one cannot ask a deceased writer what she thinks about a letter intended for her after her death, but Virginia Woolf would certainly have been delighted by the vibrant, discursive film by Paul B. Preciado. Paying homage to the innovative 1928 novel by the author, trans activist and philosopher Paul B. Preciado titled his debut film "Orlando" as "My Political Biography". "I am alive," he says, "I have stepped out of your fiction. Like the aristocratic youth in the novel, who overnight becomes a woman. However, in our society, this transition process is dangerous and painful. So Ruben Rizzi, who has just turned 15, boldly chooses to identify himself as a transgender boy. Rizzi is one of the 26 contemporary Orlandos, ranging in age from 8 to 70. They all wear a white baroque collar and tell their stories. Preciado is a breath-taking creator, connecting modern testimonies with excerpts from V. Woolf's novel "Orlando".

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